Dante Gabriel Rossetti :: Biography Biographies Essays

Dante Gabriel Rossetti    Dante Gabriel Rossetti was born in 1828, but not with that name; not entirely, that is. In truth, he was born Gabriel Charles Dante Rossetti, son of an Italian scholar living in London, but later changed the arrangement of his name so as to closer identify himself with the great 13th-14th century Italian poet Dante Aligheri, author of la Divina Comedia and Vita Nuova (Everett, np). His obsession with Dante impacted his work, both literary and artistic; from his masterpiece "Beata Beatrix" to his poetry buried with wife Elizabeth Siddal, he lived and worked under the duality of beauty, the fight between the body and the soul, best expressed in "The House of Life," particularly sonnets 77 and 78, "Soul's Beauty" and "Body's Beauty" respectively. Even early in his career, Rossetti's interest in Dante is apparent. In 1848, he translated portions of Aligheri's Vita Nuova, which details Dante's unconsummated love for Beatrice, a theme that also runs through the Divine Comedy. It is at this time that Rossetti changed the order of his name and initials, dropping "Charles" altogether. This would become a lifelong identification with the poet, emphasized by his relationship with Elizabeth Siddal (Rodgers, p 16). In 1860, Rossetti married Siddal, a model and artist with whom he had an affair. This wasn't a happy marriage, both partners suffering from depression and drug addiction. Moreover, this was a "pity" marriage, done not out of love but out of loyalty to Siddal, believing he could save her from herself. Part of Rossetti's obsession with Dante became an identification of two kinds of love, one being chaste and spiritual and identified with the person of Beatrice, the other being earthly and physical. In marrying Siddal, Rossetti felt he was destroying her position as Beatrice, despite the fact that they were already lovers. The marriage was a short, tumultuous one, ending in the suicide of Siddal by way of a drug overdose of Laudanum, an opiate. Depressed, especially since the miscarriage of their only child, and no doubt also by Rossetti's infidelities, particularly with Jane Morris, wife of friend and fellow Pre-Raphaelite William Morris, Siddal is thought to have intention ally overdosed on the narcotic.